SAME SESSION, REFRAMED

"How to MTM" says our real job is to capture moments and their essence — to be ghosts who catch what's genuine. The clichés aren't wrong. They're just the easy 20%.

I want the other 80%: the in-between, the unposed, the frame nobody else thought to take. The Media Project allows no creative limits — I'd treat A Coruña as a story with one point of view, not a checklist copied from the last session.

Find the angle that makes someone back home stop scrolling and go: wait — what is this thing they're all doing?